Archive for December, 2009

I am trying to break your heart

2009/12/16

The key to drawing David Fricke is in the cheekbones, and the crease they create above each side of his mouth. He looks like the grim reaper, or some type of skeleton, but there’s nothing scary about him. He has a very kind face and automatically smiles when he talks.

Fricke, senior editor at Rolling Stone, plays a one-man Greek chorus throughout the documentary I am trying to break your heart and below you will find all of his scenes collapsed into one youtube clip “David Fricke on Wilco.” Of course, this is a copyright violation, but I was glad someone did it because I was going to. Still feeling a thirst for piracy, I recorded the audio from the DVD’s director’s commentary. If you click on the link “Wilco on David Fricke” you will hear the band and director Sam Jones, commenting on David Fricke commenting on Wilco.

Click to listen to “Wilco on David Fricke” (I am trying to break your heart director’s commentary excerpt)

Matt rated I Am Trying to Break Your Heart 5 out of 5 Stars.
Summary: With Wilco nearing completion of their album Yankee Hotel Foxtrot, conflict arose between the band and its record label Reprise, a division of the Warner Music Group. Wilco’s prior albums hadn’t performed to Reprise’s sales expectations and Reprise were concerned with how to market the new album. They consequently rejected the work and dropped Wilco from the label.

Roger Ebert

2009/12/15

From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year’s Best Picture nominees and wrote that they were ‘ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.’

“Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: ‘Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind. . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers. . . .’

“Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor, but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.”

Happy Xmas, John

2009/12/14

Flannery O’Connor said she enjoyed drawing because “there is something immediate about it, it either is successful or it isn’t, there are never any doubts.”  Well I have no doubts that the below is an unsuccessful attempt at John Lennon, done as part of an exercise I was trying a few months back called “drawing from memory.”  What I dislike most about my effort is the flatness of his face, the lack of depth  makes it look like something a pre-schooler could have done.  But it serves as proof that no matter how poor the rendering, you can still get a Lennon resemblance as long as you have the glasses.

The Happy X-Mas record starts with a barely-audible whisper of Christmas greetings to their children: Yoko whispers “Happy Christmas, Kyoko”, then John whispers “Happy Christmas, Julian”. The lyric sheet from the 1982 release The John Lennon Collection erroneously gives this introduction as “Happy Christmas, Yoko. Happy Christmas, John”.

The song’s melody and chord structure has been compared to that of the folk standard known as “Stewball”. It is possible that “Happy Christmas” was merely a re-write of the traditional standard. Wikipedia

A sketch of a phrase for the end of the 2nd act.

2009/12/10

This is a D at the 7th fret, dropping the top finger down a fret from the last chord and picking up the second.

My Song 48 (click to listen)

Matt Foran, Behind the Music

Swine Flu on the Metro North

2009/12/09

This was written on the wall in the train bathroom. I don't always follow through with everything I read on bathrooms stalls, but I looked one this up...


“rhyming for rhyming sake”

2009/12/08

Below is a poem I wrote in 2nd grade for the St. Mary’s Literary Magazine. I was tempted to photoshop out the word “Yummy” as it makes the poem sound pretty corny, and if you remove it, the poem doesn’t sound half bad. But my mom, who found this magazine in the basement, would have known. And I try to remind myself that this website is meant to higlight some of the things I’ve made, and the warts are an important part of that. As far as highlighting the poem in pink, that’s another thing entirely.

Below is an excerpt from a recent interview Bob Dylan did in support of his Christmas Album.

BF: Do you listen to rap music?

BD: I don’t listen to rap radio stations and I don’t play rap songs on the jukebox, and I don’t go to rap shows – So no I guess I don’t listen to rap music all that much.

BF: What do you think of rap music?

BD: I love rhyming for rhyming sake. I think that’s an incredible art form.

http://streetnewspapers.wordpress.com/2009/11/23/sns-exclusive-bob-dylan-interview/


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